Have I got the X-Factor?

I'm currently in a lovely little spot. It's hot, and the view looks out over a bay where little houses are dotted about like salt flakes on the craggy coast. Boats are bobbing in the harbour and the sun is kissing everything it can.  And I'm being paid for being here.

I sometimes wonder at my work. Is arranging melodies and teaching folk with Karaoke voices how to maintain their vocal chords through what might be a long and arduous competition really work? Should it really pay this much? In what way does this relate to reality?

But it's big business as I keep being told. The mighty boss man turned up yesterday to make that point. Millions of pounds of advertising revenue is reliant on this little singing competition. And of course, his private jet needs paying for.

It's pretty relaxed here. No cameras at this stage, just hard work for the three acts as they learn that being a professional artist is about a lot more than picking your favourite song in the pub - and that vocal discipline is everything.

I once worked with Celine Dion. She banged out huge numbers every night for 20 gigs in a row, always in control of her voice, never straining, never pushing to that point where things crack and break. Professionals learn how to do this. I've also worked with West End singers who are expected to give eight performances a week for months on end without once cracking the voice. It's a trick (like most things) and a discipline honed over years of lessons - believe it or not most famous singers have lessons every week - but here it's got to be a fast track to survival.

Most contestants on talent shows don't even understand the basics of singing. They have good voices but they don't breath correctly or in the right places. They can knock out one great song but not every day. Learning something that takes professionals years to master in a matter of a few weeks isn't easy and sometimes it's impossible.

So my job is a bit demanding. But it's still not a job really. Nothing horrendous happens if it isn't done. Nobody dies (although they might die inside a little) and I do worry that most of the contestants don't get the fact that this is a talent show; it's very rarely a path to music glory. If you want to succeed in the music biz then, just like any other vocation, you have to work at it over years. The instant stardom given by talent shows is short lived and often has tragic endings.

But I do enjoy arranging music and I'm good at it. The show now allows for 'alternative arrangements' so I'm having fun. Teaching people who generally can't read music and, as yet, don't have the discipline to practice enough, how to deliver something special can be funny but it's also exasperating.

But as they say in show biz - it'll be alright on the night

And before you ask, no clues will be forthcoming about who I'm working with or where. It's in the contract darling!